Essays in english architectural history

The mentality of the English left-wing intelligentsia can bestudied in half a dozen weekly and monthly papers. The immediatelystriking thing about all these papers is their generally negative,querulous attitude, their complete lack at all times of anyconstructive suggestion. There is little in them except theirresponsible carping of people who have never been and neverexpect to be in a position of power. Another marked characteristicis the emotional shallowness of people who live in a world of ideasand have little contact with physical reality. Many intellectualsof the Left were flabbily pacifist up to 1935, shrieked for waragainst Germany in the years 1935-9, and then promptly cooled offwhen the war started. It is broadly though not precisely true thatthe people who were most 'anti-Fascist' during the Spanish CivilWar are most defeatist now. And underlying this is the reallyimportant fact about so many of the Englishintelligentsia–their severance from the common culture of thecountry.

Essays in English Architectural History by Howard Colvin

On Jan 1, 2000 John Newman published: Essays in English Architectural History by Howard Colvin

Essays in Scots and English Architectural History

Anderson, Dutta, Hyde, and Jarzombek have established their careers in this field. Emeritus Faculty has been identified with research on early modernism ever since his path-breaking dissertation on Peter Behrens from Columbia University in 1968, published by MIT Press in 2000 as Peter Behrens and a New Architecture for the Twentieth Century. He has worked on a range of modernist topics, including studies on Louis Kahn, vernacular architectural forms, and the history of city planning. He has also published a translation and introductory essay to an important early modernist polemic by Hermann Muthesius. Anderson has recently collaborated on two books, (2012), which grew out of an international conference he organized at MIT in 1999, and (2015) in English and German. He has worked in particular on the urban development of Savannah, Georgia. A study of Aiken, South Carolina, appeared in Places Fall 2008.

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's first book, (2006), focuses on the late nineteenth-century English art industry and design and its relationship to informal modes of production in the metropole and the colony. Critical to his research are the ties between industry, political economy, administrative mores, and the emergent modernist aesthetic. Other work in preparation addresses the relationship between the political economic theories of land, and aesthetic notions of landscape beginning from the eighteenth century. Dutta's editing of also pursues modernity, here a history of MIT's "expertise" in the field of architecture and planning in the immediate post-war period. The book examines the manner in which the American research complex offered an alternative system of intellectual patronage which MIT architects and planners significantly appropriated; thus wittingly or unwittingly bypassing the dominant pedagogical strains of the profession produced by the late CIAM and determining, as Dutta claims, a "second modernism."

Essays in English Architectural History, Libro Inglese di Howard Montagu Colvin
Trace France's essays in english architectural history fascinating history as an emerging world power, from before the Roman Empire's expansion, through …

American Architecture: Origins, History, Characteristics

Here I am only dealing with a single series of papers, the boys'twopenny weeklies, often inaccurately described as 'pennydreadfuls'. Falling strictly within this class there are at presentten papers, the GEM, MAGNET, MODERN BOY, TRIUMPH and CHAMPION, allowned by the Amalgamated Press, and the WIZARD, ROVER, SKIPPER,HOTSPUR and ADVENTURE, all owned by D. C. Thomson & Co. Whatthe circulations of these papers are, I do not know. The editorsand proprietors refuse to name any figures, and in any case thecirculation of a paper carrying serial stories is bound tofluctuate widely. But there is no question that the combined publicof the ten papers is a very large one. They are on sale in everytown in England, and nearly every boy who reads at all goes througha phase of reading one or more of them. The GEM and MAGNET, whichare much the oldest of these papers, are of rather different typefrom the rest, and they have evidently lost some of theirpopularity during the past few years. A good many boys now regardthem as old fashioned and 'slow'. Nevertheless I want to discussthem first, because they are more interesting psychologically thanthe others, and also because the mere survival of such papers intothe nineteen-thirties is a rather startling phenomenon.

Get this from a library! Essays in Scots and English architectural history : a festschrift in honour of John Frew. [John Frew; David Jones; Sam McKinstry;]

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But precisely because, in one sense, he is passive toexperience. Miller is able to get nearer to the ordinary man thanis possible to more purposive writers. For the ordinary man is alsopassive. Within a narrow circle (home life, and perhaps the tradeunion or local politics) he feels himself master of his fate, butagainst major events he is as helpless as against the elements. Sofar from endeavouring to influence the future, he simply lies downand lets things happen to him. During the past ten years literaturehas involved itself more and more deeply in politics, with theresult that there is now less room in it for the ordinary man thanat any time during the past two centuries. One can see the changein the prevailing literary attitude by comparing the books writtenabout the Spanish civil war with those written about the war of1914-18. The immediately striking thing about the Spanish warbooks, at any rate those written in English, is their shockingdullness and badness. But what is more significant is that almostall of them, right-wing or left-wing, are written from a politicalangle, by cocksure partisans telling you what to think, whereas thebooks about the Great War were written by common soldiers or juniorofficers who did not even pretend to understand what the wholething was about. Books like ALL QUIET ON THE WESTERN FRONT, LE FEU,A FAREWELL TO ARMS, DEATH OF A HERO, GOOD-BYE TO ALL THAT, MEMOIRSOF AN INFANTRY OFFICER, and A SUBALTERN ON THE SOMME were writtennot by propagandists but by VICTIMS. They are saying in effect,'What the hell is all this about? God knows. All we can do is toendure.' And though he is not writing about war, nor, on the whole,about unhappiness, this is nearer to Miller's attitude than theomniscience which is now fashionable. The BOOSTER, a short-livedperiodical of which he was part-editor, used to describe itself inits advertisements as 'non-political, non-educational,non-progressive, non-co-operative, non-ethical, non-literary,non-consistent, non-contemporary', and Miller's own work could bedescribed in nearly the same terms. It is a voice from the crowd,from the underling, from the third-class carriage, from theordinary, non-political, non-moral, passive man.

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(v) PACIFISM. The majority of pacifists either belong to obscurereligious sects or are simply humanitarians who object to thetaking of life and prefer not to follow their thoughts beyond thatpoint. But there is a minority of intellectual pacifists whose realthough unadmitted motive appears to be hatred of western democracyand admiration of totalitarianism. Pacifist propaganda usuallyboils down to saying that one side is as bad as the other, but ifone looks closely at the writings of younger intellectualpacifists, one finds that they do not by any means expressimpartial disapproval but are directed almost entirely againstBritain and the United States. Moreover they do not as a rulecondemn violence as such, but only violence used in defence ofwestern countries. The Russians, unlike the British, are not blamedfor defending themselves by warlike means, and indeed all pacifistpropaganda of this type avoids mention of Russia or China. It isnot claimed, again, that the Indians should abjure violence intheir struggle against the British. Pacifist literature aboundswith equivocal remarks which, if they mean anything, appear to meanthat statesmen of the type of Hitler are preferable to those of thetype of Churchill, and that violence is perhaps excusable if it isviolent enough. After the fall of France, the French pacifists,faced by a real choice which their English colleagues have not hadto make, mostly went over to the Nazis, and in England thereappears to have been some small overlap of membership between thePeace Pledge Union and the Blackshirts. Pacifist writers havewritten in praise of Carlyle, one of the intellectual fathers ofFascism. All in all it is difficult not to feel that pacifism, asit appears among a section of the intelligentsia, is secretlyinspired by an admiration for power and successful cruelty. Themistake was made of pinning this emotion to Hitler, but it couldeasily be retransferred.